Sexy Track: “Monument” by Robyn and Röyksopp

royksoppandrobyn2014Sometimes, album cuts (or in this case, an EP cut) are overlooked by their bouncier, more radio-friendly fellow tracks. Robyn and Röyksopp’s EP, Do It Again, has one blockbuster hit, but this is not it. “Monument” is a more demure tune on the offering.

Mood-electronica at its best, the track comes with extra minutes latched onto it to emulate a journey (a sonic one, if you would like to avoid the metaphor), from which a robust lyrical statement stems. It stands as a gravestone anthem, with lyrics that are direct, yet very affective about ones accomplishments. It is an amazing song that could be a single should a radio edit surface. The additional beats towards the end are scrumptious, but are not for the pop format listener. Have a listen and tell us what you think!  Continue reading

Sarah McLachlan talks about “Shine On,” her father’s illness and introspective songs!

For more than 25 years Sarah McLachlan has been stirring emotion with introspective songs like “Building a Mystery”, “Adia” and “I Will Remember You”. Today, the celebrated Canadian singer songwriter — who’s sold over 40 million albums worldwide — joins Jian to discuss and perform from her seventh full-length studio work, “Shine On.”

Loft List: 20 Forgotten and Underrated Disco Divas!

green disco ball bonanza Yesterday, we had to sit down to do a store playlist for disco lovers. We wanted to dig much deeper than Gloria Gaynor’s “I Will Survive” and ABBA’s “Gimme Gimme Gimme.” So, we opted to find some new disco divas we haven’t heard of and this is the gist of it!

Introducing… Broken Twin

broken-twin

Simplicity can be deceptive. Broken Twin’s music may be largely made up of piano, strings and Majke Voss Romme’s haunting vocals, but the debut album ‘May’ is a work of depth and beauty. Simplicity is key to its name, too. “I was looking for a title that was simple, and not giving too much away, reflecting the songs,” says the Danish auteur. “Also it represents a time of year that seems to fit the songs. Spring is a time when everything is changing. It’s a hopeful season.”

Though compromising just 10 songs, ‘May’ is compiled from more than three years of intensive songwriting and based on over 200 sketches recorded on laptops and phones. “I’m very compulsive when I’m working on songs,” says Majke. “Mostly I begin by improvising on piano or guitar, singing random words. It sounds like English but it’s not. I’m writing and recording all the time at the moment.”

‘May’ is very much one artist’s labour, an intensely personal album that adheres to a singular vision. “I wanted to get back to basics, seeking a sound that was warm and lo-fi; minimal and spacious and focused on the songs,” says Majke. “I’m a new artist – I need to be sure about what I want to do before I can let anybody else in. It’s a very personal record.” In that spirit, it’s an album that refuses to hand the listener everything on a plate. Asked what the theme of her music is, she says “relations” and “emotional patterns”, and refuses to be drawn further. “I want people to find whatever they want in the songs.” Broken Twin songs are intended to live in the mind of the listener.

Now 25, Majke’s first experiences of music were playing with her father, an amateur musician and occasional piano teacher, in northern Jutland. Together they’d play Beatles songs and pop standards at the family piano, something Majke remembers as being “some of my best musical memories”. Having been exposed to music at a young age, Majke harboured secret dreams of being a musician that were suppressed by crushing adolescent shyness. “As a child I was really outgoing, but something happened when I got to being a teenager,” she says. “It was a big change, I was very introverted. I was writing music and singing but people I went to school with didn’t know anything about it.” She also felt that being a musician was beyond the reach of a girl from small town Denmark. “It’s something I always really wanted to do but I didn’t really think it was an opportunity that was available. I was in the real world, people who did music were somewhere else.”

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